Vindication of Sensory Subjectivity against Artificial Intelligence in Artistic Creation
Abstract
In this essay it is shown that the art that is produced using artificial intelligence is a technological fallacy since it cannot overcome, so far, the phenomenological conditions of the body - subject and as a unit. This, is detonating and fundamental part of the artistic production, besides the robot artists and the web pages where AI Art is produced, have not either overcome the epistemic displacements that the artists have been developing since the appearance of the avant-gardes. The concepts of artificial consciousness and self-consciousness are discussed in reference to the phenomenology of Maurice Merleau - Ponty. Finally, we conclude how these characteristics of contemporary art are reconfiguring postmodern art, resulting in post-contemporary art.
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